Member Event
MON, OCT 19, 2020

IN FOCUS: Performing Arts and The Way Forward

Moderated by Artistic & Executive Director Rob Bailis

Available to all Broad Stage Members 

Online event


For this first IN FOCUS event, The Broad Stage forms a powerhouse team of national thought leaders in the performing arts. They will candidly share with you the state of our united stages, ideas on the way forward and building the tomorrow we all hope to see.

Special Guests

Donald Byrd | Choreographer and Artistic Director, Spectrum Dance Theater - Seattle

Kristina Wong | Performance Artist, Comedian and Elected Official - Los Angeles

Michael Orlove | Director of State, Regional & Local Partnerships, and International Activities, National Endowment for the Arts - Washington, D.C.

Moy Eng | CEO, Community Arts Stabilization Trust (CAST) - San Francisco


Donald Byrd has been the Artistic Director of Spectrum Dance Theater since December 2002. Formerly, he was Artistic Director of Donald Byrd/The Group, a critically acclaimed contemporary dance company, founded in Los Angeles and later based in New York, that toured both nationally and internationally. His career has been long and complex, and his choreographic and theatrical interests are broad. The New York Times describes him as “a choreographer with multiple personalities … an unabashed eclectic.” He is a Tony-nominated (The Color Purple) and Bessie Award-winning (The Minstrel Show) choreographer. Mr. Byrd has frequently been referred to as a ‘citizen artist,’ a descriptive that perfectly aligns with an important component of Spectrum Dance Theater’s mission and Mr. Byrd’s personal beliefs – “dance as an art form and as a social/ civic instrument.”

Kristina Wong is a performance artist, comedian and writer who has been presented internationally across North America, the UK, Hong Kong and Africa. Most recently, her solo theatre show The Wong Street Journal was presented by the US Consulate in Lagos, Nigeria. Her commentaries have appeared on American Public Media’s Marketplace, PBS, VICE, Jezebel, Playgirl Magazine, Huffington Post and CNN. She’s been awarded artist residencies from the MacDowell Colony, New York Theatre Workshop and Ojai Playwrights Festival. Her work has been awarded with grants from Creative Capital, The MAP Fund, Center for Cultural Innovation, National Performance Network and a COLA Master Artist Fellowship from the Los Angeles Department of Cultural Affairs. She is the artist-in-residence at the San Diego Airport where she is exploring the site as a literal purgatory in a border town. She is also currently the artist-in-residence at the Dream Resource Center working with undocumented immigrants and their allies on an original theatre piece.

Michael Orlove currently serves as the Director of State, Regional & Local Partnerships. In that capacity, Orlove provides direction concerning the National Endowment for the Arts funding and other assistance to the 56 state and jurisdictional arts agencies, the six regional arts agencies, and local arts agencies across the country. Additionally, Orlove manages the agency's international activities. He was the Agency’s director of Artist Communities and Presenting & Multidisciplinary Works from 2012 to 2019. Michael has been an invited guest speaker and panelist at numerous national and international conferences and convenings. Honors include being named one of the 'Chicagoans of the Year' in music by the Chicago Tribune in both 1999 and 2009, as well as one of Chicago's 'Global Visionaries' by Chicago Public Radio WBEZ and the Chicago Matters: Beyond Burnham series. As a testament to his international expertise, Orlove was named one of the 'Seven Samurai’ at the prestigious WOMEX (World Music Expo) 2009 Conference in Copenhagen, Denmark and, in 2018, was given the inaugural GlobalFEST ‘Impact Award’ for outstanding commitment to the world music field. He was recently selected for the DeVos Global Arts Management Fellowship (2018-2020).

Moy Eng began her career in New York City, fundraising with the Alvin Ailey American Dance Theater and the Orchestra of St. Luke’s, and has worked in arts and culture, renewable energy, and human rights. At the center of her life for over three decades is art, supporting artists and making artwork. By day, Moy serves as the CEO of Community Arts Stabilization Trust (CAST), San Francisco‐based real estate development nonprofit dedicated to creating permanent affordable housing and workspace for the arts and culture sector in one of the most expensive cities to live and work in the world. Only seven years old, CAST has already been cited as a creative placekeeping model by civic and cultural leaders in Amsterdam, Austin, Denver, London, Paris, Seattle, Sydney, and Vancouver, among others, and in publications by the World Cities Culture Forum and Federal Reserve Bank of San Francisco. The World Affairs Council honored Moy for her work at CAST as a social entrepreneur “who will shape our tomorrow”. By night, Moy is a poet, lyricist and singer. She recently released her first recording, the blue hour, co-produced with four-time Grammy Award nominee Wayne Wallace, to critical acclaim and international airplay.